Sunday, June 09, 2013

Drawing Trees

DRAWING TREES    

(PART ONE)

Catatonic Ode, from the Fan Free Funnies
Back in art school, I was enamored of artists such as Winsor McKay, Heinrich Kley, and Walt Kelly. One of my earliest art memories was watching my dad draw characters for me from an evening newspaper Pogo strip as I curled up beside in my pajamas. I was especially fond of Kelly’s trees. 

Here’s an example of my work for the Fan Free Funnies back in Richmond, Virginia in the early ’70s. That's me in Little Nemo's bed (Winsor McKay) in the final panel. The tree with a door is heavily influenced by, if not drawn directly from Walt Kelly.

It is highly appropriate that I am dreaming of trees in Nemo's bed. I grew up wandering through Jefferson National Forest which was just over golf course hill by our house. I've lived for a time in cities but always return to the woods. I live now surrounded by a California Coast Oak forest nestled on hills above the beautiful Elkhorn Slough. I've always gotten a straight answer from a tree.

Here's the trees of Pogo's Okefenokee Swamp from Walt Kelly:
 
Mickey's Tree Acrylic and Ink on Bristol Board
In the sixties and seventies there were a number of artists who used cartoon and graphic illustration in their art & as inspiration, centered around the art school of Richmond Professional Institute which became Virginia Commonwealth University. Many have gone on to great things: Phil Trumbo (who won an emmy for Pee Wee's Playhouse), Charlie Vess, who is a renowned fantasy book illustrator (and draws great trees), Michael J. Kaluta who drew The Shadow and Starstruck comics, among others. I worked in a similar vein for a time but moved into a more fine arts/painting direction than graphics. Here's another tree from that period.

Here's a penciled illustration from a couple years later. Don't know why that pencil lady is planting rows of pencils. I recognize the character's pose from a large 1930's era poster that I bought around 1975:

Pencil Lady, graphite on Reeves BFK


Untitled, undated Tree, Ink
In the 80s I went back to school to study Architecture and went to work for the Virginia Department of Parks and Recreation, then Baskervill and Son, the oldest architectural firm in Virginia. But on a weekend gig as an extra on a film being shot in Richmond, I caught the movie bug. I worked a few productions in Virginia, then moved to L.A., working as mainly a Propmaster but also as a Scenic Designer for the better part of the decade following. 
 

Malibu State Park on the set of 50 Simple Things. ink


Most of my creative energy was swallowed up by the industry but occasionally I picked up a pencil for my own art. And unsurprisingly, trees were my subject matter. A few from a sketchbook of that period.
     
Tree, Zen Center of Los Angeles, Ink with white highlights
While trimming a tree (!) at ZCLA, I fell off the edge of a roof and landed on cement, shattering my right foot, effectively ending my Propmaster career. In a way it was good: I was ready to leave propping as a career, but probably would have continued since the money was so good and the job so involving. 

Walter White, Architect, Pastel
Not being able to touch my foot to the ground for eleven months confined me pretty much to my little monk's apartment. But it renewed my art. I mostly worked figures, hiring models or imposing upon friends to sit for me. Drawing the human figure has always been my joy. I have taught and drawn figure drawing and painting for the past 40 years, no matter what other art I was working on or what job I held. Here's examples of what I did while laid up:
  

Pastel Demo

These two were done as demos in a Pastel Portraiture class in the extension of Santa Monica College while I was on crutches. The reason I mention figurative work in a blog about trees is that the drawing and painting of the human body and tree forms have a lot in common. It is not for naught that arms are called limbs and our torso is a trunk. Moreover, the rounding of limbs and branches are the same in tree or human. The lessons of delineation of form through shadow and shading, of proportion and scale are the same for both, and from drawing one, we learn to better draw the other.



Royal Oaks Park, 2013
The rounding of human forms and trees have similarities that are quite apparent. 
Here are some examples from over the years of both:

Ormont Oaks, circa 2009
George's Back, 1989, Pastel

Huntington Gardens, watercolor, 80s
Vase, watercolor, 90s



Sycamore, 1998

Bull and tree, 2005

End of Part One. Next: 

Painting Trees and Using Drawings as Preparation










Sunday, May 26, 2013

THE BIG AND THE SMALL

Warning to those who do not like animal posts. This is one:



Here’s to all the animals I have known and loved. Here’s to Maggie and Joe and Henri; to Blackeye and Dali, the twins, Moji and Jack-Jack; to Pumpkin, our orange kitty who was left in a box on our doorstep one soft October night before Halloween. Here’s to foul-smelling Mr. Gray, who was born with a deformity that causes the pads of his feet to slip and burst, sending a noxious odor out wherever he treads, and causing him such pain that he often walks on the backs of his paws (with his paw turned back at the joint). Here’s to Dalai, our first cat in California, who is old and maybe on her last legs-- a seal-point Siamese with an obnoxious meow. And to Tyger, our striped cat, who freeloaded at every house in the neighborhood, but finally settled down with us. (Mr. Gray and Dalai have since passed on...Jack-Jack lost, we assume, to coyotes...)

Dalai

Dalai, named after the Dalai Lama, came to us from Sharon’s house over the hill where, before the coyotes diminished the numbers, many stray cats resided. Mr. Gray was a feral cat who understandably, nobody wanted. Tyger was a stray & Pumpkin arrived unbidden. Blackeye and the twin black cats were born to our Little One, another Seal Point, who was probably purloined by coyotes. She lived out in the bushes and had several litters before we could catch her and get her fixed. Blackeye is the older brother and was born in the same litter with Bob-Bob, who disappeared one day and whom we still mourn. 

Bob-Bob & Monster
In our little pet graveyard on the side of the hill under the oaks, watched over by a statue of Buddha, are: Brando, the only longhair we every owned; Pretty-Pretty, a feral/stray who was the father of Monster, buried beside him. Monster was my wife’s cat and never grew old or big. He went through and amazingly passed a bout with FIP, but his kidneys were so damaged, he could not go on. Pretty/Pretty was killed by a speeding car on Christmas day on our little farm road. If you know where we reside, you’d know that it’s a narrow pot-marked dusty track through a farmer’s property to get to us. Only someone with mal-intent would have run him down.

Joe
Brando died of cancer as did Joe, our beloved first pit bull who is buried on the other side of the house, on the backyard hillside where he spent most of his day. His passing a year ago left Maggie our Kelpie all alone and an empty spot in our hearts, so we found Henri, our second pit. We introduced Maggie to many possible adoptee dogs at several pounds and the SPCA, but Henri had the most infectious personality. If you are counting, we presently have seven cats (now four) and two dogs, unless Bucket, a feral cat I was enticing to join us, comes back. I've lived with animals all my life and find living with other species a joy.


So here’s to them all, the long and short and tall. To Rufus and Daniel and Buttercup and Gracie, all dogs I lived with on an 1820 farm in Upright, Virginia—along with Apricot Rabbit, Simma the Goat, Morgan the duck and Mud-Slide Slim, a steeplechaser. Here’s to my first dogs as a boy, Laddie and Sparky—and even to my parakeet Pretty Boy. To my cat George, who followed me from hole to hole on the golf course when I was a teenager. Here’s to Sarah, an African barkless Basenji, perhaps the most intelligent dog I have known—she and Maggie and Gracie all had the same gentleness of spirit that especially endeared them to me. I still miss bouncy Abby, a Malamute who was my last dog in Virginia before I moved west. And here’s to all the rest—the ones who were fostered, or boarded for a while; those who I only knew for a short while—all too numerous in my memories. 

In my mind’s eye and in the dreams of my heart, nothing is more wonderful and more wished for than a boundless walk on a crisp, clear day and my dogs, boon companions all, running free through golden fields.